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THE BEST TINKER BELL MOVIE SO FAR...
Blog, Movies
Posted on Sep 22 2010 by Greg
if you're a Disney and Peter Pan fan and you ever had any doubts about whether making Tinker Bell the central character of a Disney film series would work, they should all disappear when you see Tinker Bell and the Great Fairy Rescue. I really believe this would be a very successful film if released theatrically, especially this time of year when pickings are lean at the theaters.

The first film, titled Tinker Bell, was largely an origin story, and the second, Tinker Bell and the Lost Treasure, helped develop the supporting characters (especially Terrence) and Tinker Bell's anger issues. This film offers a good balance between our lead fairy and her friends along with a really solid story that never seems padded, a hazard in some direct-to-video films.



Like a Victorian E.T., this new film gives us a chance to see what happens when a young, imaginative child gets the dream of a lifetime -- to meet a fairy. Woven beautifully into the narrative are the young girl's need for her father's attention (who is present for her in body only), the dynamics between the fairy characters (focusing mostly on Vidia, who is nicer in this film but still having the prickly attitude of Veronica Lodge) and the wonderful activity of creating fairy houses (which is showcased in a bonus feature taking place at the Epcot Flower & Garden Festival).

The film has a nice, lyrical pace but never lags for a moment, much in the style now identified with Pixar movies (some character designs even have a Pixar look). What are most delightful for fans are the references to the 1953 Disney classic. In the opening moments, Terence brings Tinker Bell to Fairy Camp and says, "There it is, Tinker Bell -- Fairy Camp!" much as Peter Pan said, "There it is Wendy -- second star to the right and straight on 'til morning!" At one point, there is a glimpse of the Darling home from the sky, as well as the iconic Big Ben landing.

This is the least musical of the Disney Fairies films, but the score by Joel McNeely is magnificent -- yet there does not seem to be a soundtrack album! Maybe it will show up as a download.

Visually, Tinker Bell and the Great Fairy Rescue is a feast and a good excuse to finally get that Blu-Ray player. With a big screen TV you can simulate the look of the film in a movie theater.








WHAT ABOUT PRINCE DASTAN?
Blog, Movies
Posted on Sep 21 2010 by Greg
Jake Gyllenhaal (and his sister Maggie) are the children of Naomi, as in "What About Naomi?"

If you watched the classic original Electric Company back in the '70s (or when it was briefly revived, or on DVD), you know that this was the signature phrase from the brilliant "Love of Chair," a satire of soap operas that was conceived by head writer Paul Dooley. Every installment of this sketch ended with the narrator saying, as the organ music dramatically paused, "And...what about Naomi?"

It was an inside joke. The real Naomi was Children's Television Workshop staffer Naomi Foner, who years later gave birth to the two young stars. What does this have to do with The Prince of Persia? Well, it gives Jake Gyllenhaal a few extra points with me even though this movie somehow falls short of what it could be. He seems like a sincerely good fellow, and even took the time to appear in promos and on talk shows to promote this film, something that some stars who cash huge Disney's paychecks don't bother to do.

As a workout video, The Prince of Persia is better than any of those Jane Fonda VHS tapes. Jake earns his abs in scene after scene. It's a shame that the script did not offer him as much of a challenge. We never really get to know, or really care much about, the lead characters. The first 30 minutes is almost solid exposition, overloaded with political business and intrigue, before the fantasy of the magic dagger and the romance of the lovely and independent Princess and Dastan get underway.

The two leads seem to have some chemistry but an awful lot of epic furniture gets in their way. I have to wonder how the script must have been before it was meddled with by all the chefs, concerned about the obviously huge budget paying off and making sure the kitchen sink wasn't left out.

It's a fine cast with always great performances by Ben Kingsley and Alfred Molina, spectacular production values on a level with DeMille and a fine score by Harry Gregson-Williams.



Maybe the summer was too hot here in Florida for me to find the film's setting very appealing. The short documentary included with the DVD (the Blu-Ray also includes a deleted scene and an interactive feature) tells us that the temperatures were over 100 degrees and this discomfort comes across in the film -- though apparently producer Jerry Bruckheimer stayed nice and cool in the studio where he taped his comments with a superimposed background behind him!







WE ROCK, YOU ROCK, THEY ROCK, WE ALL ROCK
Blog, TV
Posted on Sep 14 2010 by Greg
My kids and I get a kick out of how things are promoted and advertised, especially on TV. My wife and I are big on media literacy, since kids are exposed to advertising almost as soon as they're born.

Anyway, whenever a sequel to something approaches, the marketing department types tend to force "points" into things whether they fit or not. In the case of Camp Rock 2: The Final Jam, their "strategy" was to make it clear that the second film is bigger and better. It's not exactly groundbreaking thinking, but you hear it all the time. So for the last several months Disney Channel has been having their stars tells us how this new Camp Rock is "so much more (insert word here)." My kids laugh at this because of how it infers that that original is somehow inferior.

Of course, that's what advertising types must do -- always go for the new and improved. Curiously, Camp Rock 2 seemed to me to be better than the first film -- but not so to my kids.

I liked the big, exuberant musical numbers. Clearly this film feels the influence of past phenoms like High School Musical and Glee. There's a lot more highly choreographed set pieces here and it's great stuff if you like MGM musicals and Annette movies, which of course I do. The songs are more classic Hollywood "out of nowhere" than in the first film, where they were confined primarily to onstage settings.

My kids like musicals too, but they were missing the gentle, simple story of the first Camp Rock. It was basically a cross between Cinderella (a prince seeking a voice rather than a shoe) and the Mickey Mouse Club "Annette" serial (mean girl accuses nice girl of stealing).



The new movie really is bigger. All three Jonas Brothers have key roles this time around, with the most endearing song sung by Nick. Daniel Fathers as the camp leader is more of a plot focus also, as he competes with a rival camp led by an old rock rival (played by Daniel Kash, an actor whom we were sure was related to Tony Shalhoub in look and voice and still, we think, must be a distant cousin).

Therein may have been what lost my daughter in particular. The story was about ambition and business rather than boy meets girl -- or at least the romance took a backseat to the main plot. Don't get me wrong -- she likes the film and watched it again but prefers the first one.

The one thing we all agree on is the talent and likability of the star, Demi Lovato. She had to carry the first film on her shoulders and delivers a strong presence and performance again. She has a Sally Field quality and we hope she takes her life and career in the best possible dircctions. She's the real deal and we wish her well in the mine field of being a young star in show business.

The DVD does not offer more than a sing along (excuse me, a "rock along") option. The Blu-Ray disc also includes interviews.








THE VERSION OF SHERLOCK HOLMES YOU SHOULD BE HEARING ABOUT
Blog
Posted on Sep 03 2010 by Greg
It doesn't star Robert Downey Jr., so it's not making big headlines, but Tom and Jerry Meet Sherlock Holmes deserves more attention, one reason being that it actually comes across much better than you might expect when you first hear the title.


First of all, the idea of the battling cat and mouse living in the home of a noted human harkens back to classic MGM theatrical cartoons, like Johann Mouse, in which Jerry danced to the music of Strauss. In this DVD feature, the duo are Baker Street co-residents and provide slapstick shtick in the course of a Victorian London mystery.

Say what you will about revivals of vintage cartoon characters, the issue is really whether the people behind the scenes care about the heritage and emotional value of the characters enough to make them appeal to young audiences but not forget the fans that made them beloved in the first place.

This film succeeds because the talent did indeed care. Veteran writer and acclaimed animation historian Earl Kress brought his expertise to the script, adding nods for fans and blending in Droopy and other great but not as well-known MGM characters such as Spike, Tuffy and Butch. The Tex Avery cartoon Red Hot Riding Hood is celebrated not only by including the libidinous Wolf but by making Red a major character in the story.

Sherlock Holmes enthusiasts will also get a chuckle out of the name of a character: "Brett Jeremy," a reference to Jeremy Brett, who is one of the definitive actors to play Holmes along with Basil Rathbone. And speaking of actors, Michael York is superb as the animated Holmes, with Malcolm McDowell as Moriarity and John Rhys-Davies as Watson. Voice actors include Jess Harnell, Jeff Bergman, Grey Delisle and, doing a particularly accurate Tuffy voice, Kath Soucie.

And, as it should be, Tom and Jerry do not speak in the classic tradition of the original cartoons, all of which were directed by William Hanna and Joseph Barbera and won seven Oscars.







MY PERSONAL TOP TEN FAVORITE CLASSIC TV SHOWS
Blog
Posted on Aug 14 2010 by Greg
Top Ten Favorite Classic TV Shows of All Time (not necessarily in order of faveness)

• Mickey Mouse Club
The original series redefined children's TV, taking it to a more polished studio-produced level and, after Rick Nelson helped initiate TV's teen pop star phenomenon. Honorable mention: Sesame Street, The Electric Company.

• Bewitched
Sophisticated, charming and sparkling in ways for which is deserves more acclaim, no other series captured fantasy or enchantment like this series or its star, though Jeannie came close in a decidedly more farcical way.

• I Love Lucy
Still the blueprint of all great three-camera, audience TV sitcoms. Worthy inspirations: Laverne & Shirley, The Mothers-in-Law.

• The Flintstones
Hanna-Barbera's first half hour and TV's first prime time animated series with characters you could care about. Derivative of The Honeymooners but takes it to a completely different dimension. Love The Jetsons, too, which predicted more about modern life than Nostradamus.

• H.R. Pufnstuf
Nothing else like it on TV before; nothing else quite came close to its magic since. The ultimate fantasy/musical/vaudeville/comedy extravaganza.

• The Archie Show
If for nothing else than making it possible for Ron Dante and company to hit the number one spot for the year of 1969 with "Sugar, Sugar," this series reignited the venerable comic series and made cartoon pop hotter than it would ever be again.

• The Honeymooners
Every character and almost every life experience Jackie Gleason had rolled into one, an almost operatic comedy/tragedy of circumstances and self-issues as well as Art Carney's ability to make even a single word incredibly funny.

• The Flying Nun
Who hasn't dreamed they could fly? Attention critics and snarkers: get over the first-glance silliness of the premise and see how adroitly a skilled cast, good writing and even some catchy songs made this series soar. A personal favorite from childhood that holds up very well, thank you.

• The Alvin Show
Actor/songwriter Ross Bagdasarian gave three speeded-up voices distinct personalities and, as David Seville, launched a franchise that is still going strong decades after his untimely passing. This series used the style of UPA to redesign the original characters and really set the stage for their media dominance in the ensuing years. I love Rocky & Bullwinkle too, but the music gives the Chipmunks a paw up.

• The Dick Van Dyke Show
A celebration of the sheer joy of life, creativity, possibilities and talent.

I posted this on a Facebook group called the Classic TV Preservation Society.









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